Carlos Edmundo de Ory, poet, was born in Cadiz on April 27, 1923 and died 11 November 2010 in Thezy-Glimont (France). Restless, feral, children, deep, extremely unique and creative, Ory showed her to be a poet magician in almost everything from its wide range of poetry to his bohemian clothing, through their love of happening. I met him in my teens (late 1970) when Carlos Edmundo, who was already living in France at Amiens then, came to Madrid to read poems in the anthology Cultural Bridge who had done his work and to Félix Grande truly open to new generations ... read very well, but to avoid censorship, he said later at a dinner where concerned to Spain said "iSpin", stating that this was a use 'postista. "
The Postismo, as the name meant to indicate, is the latest "ism, the lead or following the previous neovanguardia isms, and it was a sigh of irreverence with echoes of surrealism through which he could tolerate the English Civil War sullen. The Postismo were, above all, Carlos Edmundo de Ory, Eduardo Chicharro Son, Silvano Sernesi, and went very close, among others, Paco Nieva or Gloria Fuertes, who became enamored of Ory although it was reciprocated friendship. A moment of Postismo that along with the Song of Córdoba group believed would be the best prevailing unorthodoxy to poetry in the first two postwar poetic generations.
Carlos Edmundo de Ory was born in Spain (where he studied) on April 27, 1923, said all his books, but lately it has been suggested that in fact have been born in 1921. His father was a well-known modernist poet, Eduardo de Ory, author of numerous anthologies of poetry of his time. In 1942, Carlos Edmundo leaves Madrid and Cadiz begins postista rich and crazy time. Verses published in 1945, suddenly, his first collection of poems in what will be, almost to the end, a rich and diverse literature. Tired (as many) of Francoist censorship and closed stale environment and sacristy that lived in that Spain, in 1953-when it can be closed and the time taken for postista-Carlos Edmundo de Ory is going to Paris. In France, lived there until his death, making short trips to his homeland from time to time and having also lived in Peru. After Paris came Amiens and finally a village in north-Glimont Thezy, where he died at 87 or 89 years, according to some nearby matter is still unclear.
Carlos Edmundo de Ory (who also published prose from time to time, as stories without fairy tales collected in 2001) was a poet plural and polymorphic, which could range from the poem-object (I saw him throw balloons with letters air of Granada in 1983, for the wind to fabricate random verses) to the more classical sonnet or newer. In late inspiration always imaginative and fabulous in a way that could be considered, with honor, as one of the last children of a particular surrealism, which at times did not hide neither the pain nor the confession as shown in one of return books, Technical and crying (very significant degree) in 1970. Previously, among many books, would be the splendid The Sonnets (1963), tenderness Miserable (1972) and Shack (1975). All these roads were continued and enriched, as shown in the excellent and comprehensive anthology of his work always in progress, music wolf. (1941-2001) performed and prefaced Jaume Pont.
"silent teachers have sleep / Beauty Acheron is rotten," complained Carlos Edmundo. Pure poet, poet imagism, sensible and sensitive poet, Carlos Edmundo de Ory, especially in his later years, also made the astonishing collections of aphorisms, of various range, which he called "meteorites", one of whose latest collection came out a couple years.
Ory (besides Postismo) did not fail to promote poetry movements, more or less ephemeral, like the APO in 1968 (Atelier de Poésie Ouverte or Open Poetry Workshop). One of his more recent books beautiful, to my knowledge, is Melos Melancholy (1999), because if Ory could be playful and mischievous poet is also a deep mist crossed by rivers and a high poet of love, as can be seen in his great poem I love a woman long hair, where I find this beautiful verse (Ory is a poet of dazzling hits), "The pleasure boat stranded at sea." Given the large
Vallejo and the Chilean Gonzalo Rojas as teachers or friends, the poetry of Ory (vast) is a rich ocean. In Spain he has been in the end, loved and respected but not awarded, despite our penchant to reward famous old. Andalusia only declared him Favorite Son in 2006. There is no honors, if they were not themselves his many books and anthologies, her unorthodox teaching of unredeemed from which no prize was saved. In November 2007 left a legacy in the Fund Bills Cervantes Institute is not known until 2022. I, personally, I find it sad that the great Ory has been no awards, but I'm glad the other hand because it validates their heterodoxy authentic and definitive separation from the sad legion of eager seekers of awards, of which the same Ory was joke. His own verses, his many books and autoexilado deceased are his best, his most August medal. The Acheron is quiet and it's yours, buddy!
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